Science Fiction

Book Review: Grievers by adrienne maree brown

By Lindsay Hobbs

Content warning: death, illness, hospitalization, racism

Grievers is a quiet story with deep, unsettling roots. It is at once an astute portrayal of grief and loss, an invitation to engage with ideas of death and renewal, and a love song to the Black communities of Detroit.

When we meet our protagonist Dune, she is struggling to heft her mother’s body, heavy in death, into their backyard. She has built a makeshift pyre and sits vigil over her mother’s cremation. Here begins the story, which then weaves back and forth in time, showing us in lovely and precise language all the details that have led up to this moment and then moving beyond. 

Dune’s mother Kama is patient zero of a sickness that will eventually be labelled Syndrome H-8. It hits people out of nowhere, stopping them abruptly in the middle of their lives, rendering them conscious but nonresponsive, with expressions that look like extreme grief on their faces. No one recovers from H-8.  

“There was a deeper stillness, a giving up way down in the nervous system. The look on the faces of the sick was usually somewhere between horror and immense longing, the way the word ‘why’ looks when something precious and irreplaceable dies.”

The city grapples with what is happening slowly and clumsily. In a scenario that will feel familiar to us, there are attempts at curfews, masking, social distancing, and enforcement by police. How H-8 is transmitted remains a mystery, and conspiracy theories vie with unsuccessful attempts at research. What is apparent to everyone is that H-8 strikes only Black people.

Dune’s story follows her through the stages of her grief, starting with acute inertia and despair, moving through her efforts to remain connected to her family members via the books and projects they left behind, and finally, on to her growing commitment to document the sick when she finds them in the streets and their abandoned houses. Her own survival is braided into these processes as she learns to follow the rhythms of the seasons, to forage and identify and preserve food, and to move through the empty streets with purpose. These every day and homey aspects of the novel are soothing to read, much as they must have been soothing to Dune to enact.

But as tempting as it is to stay cocooned inside, it is not truly an option. H-8 is steadily ravaging Dune’s city and community. Grief, it seems, is the key to this syndrome. Although there are no explicitly stated resolutions to the questions of what and why, in the novel, it seems clear that H-8 is a sort of manifestation of the injustice, and at times, the sorrow of being a Black American.

“‘Black people. H-8 takes Black people out of ourselves. To…grieve?’
They stood together, quiet, feeling the tender logic in the mystery. Of course Black people were dying of grief.”

Yes, there is a tender logic to this. Anyone who has been paying even the smallest amount of attention to the world can see that. With this novel, author adrienne maree brown, activist and writer-in-residence of the Emergent Strategy Ideation Institute, takes the reader by the shoulders and gently shakes them. The victims of H-8 may not wake up, but we, the readers, still can.

Dune comes from a lineage of women and men in the social justice movement, and it is in this context that we see her home city of Detroit. Understanding the legacies of work that marginalized communities have always done is crucial to reading this story. Fighting oppression and dispossession is work layered with heartbreak, and within Kama, there had always been a necessary core of rage that Dune herself shied away from. Despite being raised in a socially conscious home, she spent a lifetime tucking herself away from her family’s passions. Dune’s grief is now complicated not only by regrets but also by a realization that with her mother gone, so too is a certain tether to life.

Left almost entirely alone in a city that is becoming more and more ghostly, Dune must figure out how to tether herself to life. Her project thus becomes the documentation of the sick and of their pain, and a dogged, steadfast commitment to others that doesn’t waver—even when that commitment means changing soiled adult diapers, cremating family in the backyard, or tucking loved ones who have been taken by H-8 into their beds so they will have some small comfort in their coming deaths. Dune opens herself fully to grief, and her strength grows daily. 

Grievers asks hard questions and doesn’t provide any pat answers. It invites us in to this discussion to reflect on how the past informs the present, how trauma can be witnessed and honoured, what can be done to address injustice in the face of such power imbalance, and under what circumstances life can re-emerge and possibly even thrive. It is not an easy read, but it is one that is worth every second.

 

Thank you to AK Press for the complimentary copy in exchange for an honest review.

Book Review: The Light Pirate by Lily Brooks-Dalton

By Larissa Page

This novel opens with Frida making supper for her husband and two stepsons as they prep the house for Hurricane Wanda to hit their small community in Florida. What transpires during the hurricane changes all of their lives irreparably. And so begins the story of Wanda, a girl born and named for the worst hurricane ever to hit, and who lives her subsequent years in a Florida that is quickly being overtaken by the ocean. The Light Pirate gives us an incredibly believable and realistic look at climate change in the growing, and at points terrifying, genre of climate fiction. 

I truly loved this novel. I was hooked from the start and didn’t want to put it down. I fell in love with Frida, and Wanda—and, truly, all the characters. It ripped my heart out then put it back together again, more than once. The characters were well written and well developed right from the start. I instantly felt connected to them; I could feel their grief and sadness, their push and pull. 

I also loved, and hated, how realistic the climate-induced dystopia was. Every part of the story— the increase in hurricanes, the decrease in coastline, the movement into the central US—was believable. The descriptions of the impact on Florida AND the impact on the interior states made sense. I hated this because it is scary; I loved it because it made the story believable and because I hope it will also work to open people’s eyes to the climate crisis. 

I knew nothing about this novel going into it. It hadn’t been all over social media and I hadn’t seen it hyped anywhere. So, I am here to hype it for you! Fall in love with Wanda, and Florida. Be terrified by the very real possibility of losing an entire state to the ocean amid increasingly brutal hurricanes. Enjoy the slight touch of magic this novel brings, a small magic that doesn’t overtake the human story whatsoever but instead helps steer it here and there.

This is a story of human resilience and women’s resilience. A story of determination and grit, survival and love. It’s a bleak look at climate future but a hopeful look at human adaptation to it.

Book Review: The Devourers by Indra Das

By Shantell Powell

Content warning: sexual assault, cannibalism, graphic depictions of violence

Indra (Indrapramit) Das is a writer from Kolkata, India. His first novel, The Devourers, was written during his MFA graduate studies at the University of British Columbia. The Devourers was shortlisted for numerous awards and won the Lambda Literary Award in 2017 for best LGBTQ SF/F/Horror. He is a Shirley Jackson Award-winner for his short fiction, which appears in Clarkesworld Magazine, Asimov’s, Slate Magazine, and Strange Horizons, as well as in numerous anthologies.

I spoke with Indra at the Roots. Wounds. Words. writer’s retreat in January of 2023. There I learned that this gorgeous meta-tale of history, mythology, and bloodshed was inspired by a time when he protected a stray kitten from street dogs in Kolkata. The novel opens with a variation on that scene: Alok Mukherjee (a professor of history) protects a kitten from a pack of dogs while sharing a cigarette beneath the full moon with a stranger who claims to be half werewolf.

The story contains layers within layers: A predator (Alok) protects another predator (a kitten) from other predators (the dogs), while speaking to the most dangerous predator of all (the half werewolf). When Alok says he doesn’t think there are any wolves in India, the stranger says, “Just because you don’t see them doesn’t mean they’re not there.”

This sentence can be seen as a microcosm of the book. Alok is a closeted queer person in a place where colonial laws have made homosexuality a crime. As a result, queer folks are hidden. Alok has been masking his sexuality in order to please his family. He feigns being a cisgender heterosexual man out of fear of brutal reprisal. Until the stranger comes along, Alok has never entertained the existence of supernatural creatures, because they’ve gone as unseen as he has.

The conversation between Alok and the half-werewolf leads to Alok being hired to transcribe a handwritten notebook. This book is filled with translations of diaries documenting the remarkable lives of shapechangers and the human woman who connects and complicates their lives. The stories of shapechangers and their prey have been hidden for centuries, but if you know where and how to look, the tales of their existence are ubiquitous.

The Devourers does for werewolves what Anne Rice’s seminal Interview with the Vampire does for vampires. It is a sumptuous and visceral look at what it is to be an apex predator in a multicultural world. It is an unapologetic look at survival as a queer person. It is a paean to the complex history of a colonial melting pot, where numerous peoples, religions, cultures, and mythologies violently collide. It traces generations of shapechangers and stolen lives. It shows how one culture forced itself upon another, just like how long ago, a European shapechanger forced himself upon a human woman from India.

The Devourers contains some of the most beautifully written depictions of graphic violence I have ever read. It is transgressive, transgender, trans-species, and trans-genre. It carries the reader along from seventeenth century Mughal India to twenty-first century Kolkata. It travels from modern cities to lost ruins, from caravans to harems to jungles, from the erotic to the repugnant, and it does so with the most delicious of vocabularies.

The Devourers may appeal to readers of Marlon James, NK Jemisin, Neil Gaiman, and Margaret Atwood. It will certainly appeal to werewolf fans.

Book Review: Parable of the Sower by Octavia E. Butler

By Carmen Lebar

Content warning: death, physical violence, murder, drug use

Parable of the Sower by Octavia E. Butler is a speculative fiction novel that centres around the irreversible consequences of climate change. Starting in the year 2024, it is the story of Lauren Olamina becoming aware of the impact that the world around her will have on her future. Only fifteen at the start of the book, Lauren knows things have to change in her small community of Robledo, California. Throughout the novel, Lauren is optimistic in the face of adversity when her peers are negative or make rash decisions. Lauren’s audacity to be hopeful in this novel is what drew me to instantly consider this novel a classic. Lauren’s perseverance and desire for a community is what shines in this dystopian like novel.

In a small town filled with people surviving in a warming world, Lauren tries to find a way to adapt to the current living conditions. Without water, viable income, or security, the community is not a safe place to be. That’s when Lauren creates her journal, entitled Earthseed: Books of the Living. Throughout the novel, Lauren is writing in her journal about all the ways humanity can survive and live in the future on Earth, and elsewhere. A new belief system is what catapults Lauren into leaving her town and finding a new life. Her determination to survive is admirable, and something she encourages in her community with Earthseed. It’s fascinating to see the way in which Lauren’s new outlook on life molds the plot and the character development of almost every character in the novel. I found Lauren’s perseverance unlike that of any other character in a speculative or dystopian novel I’ve read before. She’s hopeful, positive, and accepting of new followers. Earthseed is what allows Lauren to gather a new community.

When she leaves Robledo, she finds that the open Californian highway is filled with danger and uncertainty. No one is safe on the highway, especially those travelling in small numbers. (Lauren has to disguise herself as a man to avoid unwanted trouble.) With the teachings of Earthseed, Lauren gathers new people to join her group—for security and for survival. By welcoming others into her group, she is creating a community of people who want to survive and learn the teachings of Earthseed. Although not everyone is convinced of Lauren’s views, the idea of surviving and creating a livable life is what entices people to join her. Lauren’s way of community building is to show people how good life could be within the circumstances they live in and how they can build a better future.

Parable of the Sower is a novel that is equal parts a warning and a symbol of hope. Butler makes it abundantly clear in this novel that it is possible to survive in a world that seems unsurvivable. What we take for granted now is what will encourage us in the most uncertain times. Lauren’s determination is inspiring and showcases how speculative and dystopian novels don’t have to be pessimistic or overly dark. Rather, as with Parable of the Sower, fiction can demonstrate that way that the good in humanity can always prevail in the darkest of circumstances. I would recommend this novel to anyone who loves speculative fiction and wants a more positive outlook in their reading. I also think this is a perfect novel to read if this is your first time reading Butler.

Book Review: Lesser Known Monsters of the 21st Century by Kim Fu

By Larissa Page

Lesser Known Monsters of the 21st Century is a unique collection of short stories. These stories are not linked to each other, but as I read through this collection I felt there was a common theme among them all. The synopsis on the back of the book cites this theme as “the strange made familiar and the familiar strange,” which I find vague but also perfectly fitting.

There have been many times that I’ve lost interest in a collection of short stories or have felt the need to push myself to continue reading, but I found Kim Fu’s writing to be engaging, propelling, and descriptive. At the end of each story, I was excited to start a new story with a new world and reality laid out. I found these stories interesting, thought-provoking, and each so different than the last.

Something I noticed was common among several of these stories is one of my favourite, though sometimes frustrating, literary tools: the unfinished ending. Several of the stories in this collection ended without full closure, enough that you are left wondering what happens beyond what is written on the page. I found myself thinking about these stories after the fact, wondering what the outcome actually was, wondering how the characters continued on with their lives. Additionally, a lot of the stories brought up concepts that were interesting and new and really made me think about what life would be like if this happened or that was invented. For short stories to have that sort of impact on someone’s thinking, I believe, is an incredible feat.

This collection was similar to another collection of short stories I read last year, Glorious Frazzled Beings. However, I struggled a lot with my feelings for Glorious Frazzled Beings, finding that I didn’t connect to or understand the element of weird that was woven through the stories. I find myself feeling the complete opposite about this collection. While it certainly has the element of weird, I really enjoyed my experience reading Lesser Known Monsters of the 21st Century. It didn’t feel “over my head” and I felt like I could connect to most of the stories.

As a comment on the publishing, this book (or my copy at least) is printed on the most luxurious paper! Quoted in the back as being Zephyr Antique Laid paper from second growth forests, the feeling and weight of this book in your hand and the sensation of the thick and textured pages between your fingers is an experience in and of itself. I’ve never commented on the printing quality in a review before, but this warrants a mention.

 

Thank you to Coach House Books for the complimentary copy in exchange for an honest review.

Book Review: Today We Choose Faces by Roger Zelazny

By Dahl Botterill

Roger Zelazny is perhaps best known for his Amber stories, consisting of ten novels released in two 5-volume arcs and a multitude of shorter works linked to the Amber setting. However, Zelazny’s non-Amber books and stories outnumbered the Amber ones, and with very few exceptions didn’t link up to one another either. A winner of many awards over his lifetime, Roger Zelazny was a master of worldbuilding, creating incredible characters and settings, and telling grand tales within the span of a couple hundred pages, only to move on to entirely new ideas with his next book. This ability to bring a world full of wonder to life around the reader is one of my favourite things about Zelazny’s work, and Today We Choose Faces is one of these books.

The novel opens with a mafia enforcer named Angel who has been revived after a couple of centuries of cryogenic sleep. Initially it seems he’s a bit of a conversation piece for the various members of the now legitimate COSA Incorporated, but he eventually learns he’s there to do the same thing he’s done in the past. Trained in modern technology and weaponry, he’s tasked with the assassination of a mad scientist who is causing trouble for his descendants. While Angel is busy with his interplanetary assassination attempt, though, the world destroys itself in a massive war, and he finds himself alone with the mad scientist’s records and technology at his fingertips.

The next portion of the novel jumps forward several generations, where the surviving remnants of humanity live near-utopian lives in a massive trans-spatial indoor facility called the House, where each region (or Room) exists separately on an interplanetary scale, connected by Passages that offer instantaneous transport between Rooms. The House—and by extension the survival of humanity—is in the care of a group of telepathically semi-linked individuals called the Family, the members of which are led by a man named Lange who serves as their “nexus.” Somebody is hunting the Family, and after generations of increasing peace among humanity, nobody is particularly prepared to deal with such a thing. Except, perhaps, the voice inside Lange’s head telling him to “Pull pin seven.”

Today We Choose Faces is book that is filled to overflowing with ideas, and Zelazny uses all of them to great effect. It is a tale of the endless tug-of-war between humanity’s destiny and its fate, but also of cloning, interstellar architecture, psychic self-surgery and mnemonic sacrifice, survival and free will, and so much more. It’s not a long book, but Today We Choose Faces is a thrilling ride while it lasts, filled with more than enough concepts to keep its reader on their toes as they’re dropped into a story that’s already running full tilt towards its own conclusion.

Book Review: The Employees by Olga Ravn Translated by Martin Aitken

By Lauren Bell

The Employees: A Workplace Novel of the 22nd Century is a short (136 pages) novel written by Olga Ravn and translated from Dutch to English by Martin Aitken. Both authors should be commended for the lyricality of the prose. The literary devices of imagery and personification were particularly skillful, and I have great admiration for Ravn’s creativity in the novel’s construction.

The Employees is structured as a series of witness statements compiled by a workplace commission on the Six-Thousand Ship to describe the series of events that lead to the project’s demise. Nineteen objects are taken from the planet New Discovery, and soon after gaining possession of them the crew becomes attached to the objects and begins to long for warmth and intimacy, which dramatically affects their productivity. However, the crew is composed of humans (“those who were born”), humanoids (“those who were made”), and some with bits of both, which further complicates the internal dilemma amongst the crew: is there more to life than just work? and creates divisive lines within their society (humans vs. humanoids, the crew vs. Homebase).

What I liked most about this book and what makes Ravn’s work so thought-provoking is the ambiguity within the text. In each character’s account names are rarely given (for instance, peers are referred to as Cadet O4) and neither is gender, human/humanoid status, or any other identifying information. The little that Ravn gives us is enough to make us realize the characters are complicated and leaves us wanting to know more about them. Clearly, they’re more than just the compliant and one-dimensional crew members they’re expected to be, complementing the integral themes of the individual identity and the collective one. As well, the objects found by the crew are never identified to the reader; they’re only ever described based on the crew’s skewed perceptions of them. With most of the novel falling into this grey area, Ravn can challenge productivity/capitalist constructs, but also other social constructs such as gender and monogamy.

If I haven’t made it clear enough, The Employees: A Workplace Novel of the 22nd Century is a highly rewarding and short read. I very much enjoyed reading this novel and would recommend this it to those who like dystopian fiction, indie reads, and existentialism. Reading it also reminded me of Brave New World by Aldous Huxley because they have similar visions towards the future of humanity.

 

Thank you to Book*hug Press for the complimentary copy in exchange for an honest review.

Book Review: The Second History by Rebecca Silver Slayter

By Kaylie Seed

Content warning: miscarriage

The Second History is a dystopian tale that follows Jane and Eban as they struggle to survive in a world they are unfamiliar with. The two of them are finding it difficult to live in the Appalachians after climate change has ravaged the Earth and created a widespread genetic defect affecting almost everyone, leading Jane and Eban to look for somewhere else to live. Pregnant Jane is worried that this pregnancy will end in miscarriage as the others did, and so she convinces Eban to leave and find Heaven, a place they believe will solve their problems—only to find out that Heaven is not as it was made out to be.

This slow-paced novel lacks the action that is normally seen in dystopian fiction and because of that it feels a little dry in places. Jane and Eban were both seemingly one-dimensional in the beginning but as the story progresses the reader learns about them before the world changed, and this helps develop their characters. It is through their reflections that the reader learns more about this strange new world and how it came to be. There isn’t a lot of focus on secondary characters until later in the novel, when Jane and Eban learn more about the history of Heaven and the historical conflict that took place.

Themes present in this novel include climate change, self-discovery, love conquering all, and trust. The Second History is unlike most dystopian novels; it reads more like literary fiction than science fiction. While there is an emphasis on environmental catastrophe, the main focus of the novel is human emotions as the characters learn to let go of the world they once knew and begin rebuilding a new one. While some answers are given in the end, there are many that are left unanswered, and I believe that this was intentional since many questions in life go unanswered. Readers who enjoy heavy emotional plots and narrative-driven stories will likely enjoy this one.

 

Thank you to Penguin Random House Canada for the complimentary copy in exchange for an honest review.

Book Review: The Prynne Viper by Bianca Marais

By Larissa Page

Trigger warning: suicidal ideation, involuntary termination of pregnancy

It’s no secret that I am a fan of Bianca Marais’s writing. Her novels Hum If You Don’t Know the Words and If You Want to Make God Laugh were two of my top reads of 2021. When she announced that she had written a short story that was produced into an Audible Original audio production, I knew I had to listen—both because I so enjoy her writing and because I love a good, well put together audiobook production.

“The Prynne Viper” is a step outside Marais’s typical genre of writing. Set in a future utopian society, free of religion and focused almost solely on data and algorithms to produce a happier and more productive society, this two-hour audiobook takes place in a courtroom. Each time a mother becomes pregnant, the DNA of the parents and the embryo are tested and run by an advanced computer analysis that not only gives full information on their physical and character traits, but also on the choices they’ll make and the people they’ll impact within their lifetime. If the impacts are seen to be more negative than positive (therefore taking away from the happiness and productiveness of society), the pregnancy will be terminated. This is decided by a jury of 13 people who will be positively and negatively impacted by the person should the pregnancy be allowed to come to term. 

We are given four points of view throughout this story: three jurors and the defendant (the pregnant mother). Somehow, within each point of view, Marais was able to give us a very whole look at the futuristic society she created with societal norms, technological advancements, hints at what has happened to our natural world, and things we would right now find normal—and she did it all within a short space of writing. Because each of the four points of view are unique, each have different opinions and views on the state of their world and society, we are able to form our own opinions on it.

The theme and plot of the story are also thought-provoking in another manner; the idea of nature versus nurture, how much of our lives can be mapped and how much is free will, and can we break out of the expectations and actions put on us by our very DNA? I truly didn’t know how the courtroom decision would play out until the very end, even though we are led to believe that the vote should be predictable.

I really enjoyed listening to this story, learning about this futuristic society so different (and yet not so different) from our own, considering how much of our lives is predetermined simply because of who we are and how much is fully free will. So much is packed into a short listening experience (complete with courtroom sound effects, which absolutely add it) that you can listen and enjoy without committing to a substantial amount of time. I absolutely recommend this short story.

Book Review: The Apollo Murders by Chris Hadfield

By Hayley Platt

The Apollo Murders (published in October 2021) is a novel following the Apollo 18 mission set in 1973. It is written by Canadian Astronaut Chris Hadfield, and it is clear from the beginning that the technical details of the writing are accurate. Overall, this book fits into many genres, including science fiction, mystery and thriller, and historical fiction.

The story follows the crew and support and ground staff, beginning from their preparations to go to the moon through to the return of the crew to earth. The thriller aspects of the book come from the race to space during the cold war era, and as the title eludes, a murder or two.

Though this book is heavy in technical details, the writing flowed smoothly. Details are described using language that can be understood by readers with various backgrounds, and no prior knowledge of the themes presented is required to enjoy the story. Reading The Apollo Murders will give you enough information to begin to understand and appreciate the complexities of space travel. About one hundred pages in, the story shifts from background and story building and dives into the mystery and thriller storyline-- from there, it’s difficult to put down.

Instead of being split into traditional chapters, The Apollo Murders is split into larger sections based on where in the mission the crew is. Within these sections there are shorter segments told from different perspectives, which keeps readers quickly flipping pages.

There are a few instances throughout the novel where there are mechanical failures onboard the spacecraft. During these times, Hadfield takes us into a flashback of sorts to the point in time where there was an error in construction or design of the particular piece, who was working on it, and some of their history. This was a really interesting way to get a glimpse at how long and detailed the construction of a piece of machinery like this can be.

In real life, the Apollo program ended after Apollo 17, so it is clear that this book is fiction, but also falls within the realm of possibility. A note at the beginning of the book indicates that many of the characters are real, many of the events actually happened, and the novel is bookended with a comprehensive list of each of the real people and things with some explanation. Sections like this, explaining exactly what is historical and what is fiction, are always appreciated in historical fiction books.

The Apollo Murders is a complex and detailed novel that seamlessly merges sci-fi with the historical challenges of its era. It is recommended to both thriller and space lovers—and of course, fellow fans of Chris Hadfield.

Book Review: (Con)Science by P.J. Manney

By Tyra Forde

Content warnings: Graphic descriptions of suicide, violence involving children, domestic violence.

(Con)science by PJ Manney is the satisfying conclusion to the Phoenix Horizon trilogy, for which its debut earned Manney a Philip K. Dick Award nomination. The gritty series presents a global future where biotechnology and humanity are at odds. Manney expertly weaves imagination and intelligence as she blends fiction with fact in her exploration of how technology will affect our collective future, a topic that she is a consultant on, in addition to writing various articles and essays. In the series, she examines the impact of digital lives on psychological identities in what is summed up in (Con)science as “a war of self-definition.” 

The novel opens with a digital family tree of sorts that reminds readers not only of the various identities the main character, Peter Bernhardt, and others have amassed in the previous two novels but also informs them of the identities to come. These identities include human, robot, and artificial human intelligence. Scene breaks keep the reader up to speed as the novel jumps between various points of view.  

Another welcome addition to the novel, and a Manney signature, is the inclusion of a playlist. Not only does it include the music that inspired the author, but also the music that directly impacts the main characters who listen and process information through music. While set in the future, Manney grounds the series with well-known music and lyrics that make this technological dystopia feel even more like a possibility. “Miami 2017 (Seen the Lights Go Out on Broadway)” by Billy Joel and the Beatles/George Harrison rendition of “While My Guitar Gently Weeps” are two particularly chilling songs in the story. 

The third and final novel in the series picks up five years after the first book. Formerly human scientist Bernhardt is now artificial human intelligence, but another AHI and descendant of Peter, referred to as Major Tom, is trying to rebuild a world changed forever by technology. The only problem is that Major Tom is the force pulling the world apart in the first place. What results is a race to rewrite history and save humanity, but the various identities of Peter and his descendants will require him to determine not only what it means to be human but also what it means to be unique.  

Despite being just under 400 pages, (Con)science feels like a journey at warp speed as the world begins to crumble. Manney makes the most of every page and manages to differentiate each character and their various identities with ease. The novel provides a clever balance of endings and beginnings, and despite being the series conclusion, the story leaves readers hungry for more. A journey of ethics built on music and technology makes for an unforgettable exploration of human identity. 

 

*Thank you, Wunderkind PR, for the complimentary copy in exchange for an honest review!

Book Review: Leviathan Wakes by James S. A. Corey

By Dahl Botterill

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Leviathan Wakes is set in a just distant enough future in which humanity has advanced technologically enough to have expanded into the solar system but no further, and without really solving a lot of the issues that plague us today. This juxtaposition of growth and stagnation results in a setting filled with new and exciting environments populated by characters and factions with easily recognizable motivations and flaws. It all manages to feel familiar despite being full of spaceships, railguns, and alien bioweapons. 

The author—James S.A. Corey is a pseudonym for Daniel Abraham and Ty Franck writing together, but for simplicity, I'll refer to them in the singular—also does a great job of using actual science without drowning the story in it. The extra effort lends the story some extra credibility without ever slowing it down. 

Leviathan Wakes is written in the third person but plays with this perspective a little, shifting its focus back and forth between two characters in alternating chapters throughout, bookended with a prologue and epilogue that focus on different characters entirely. The first of our two primary characters is Miller, a past-his-prime detective working on Ceres station when he's assigned a missing persons “kidnap job.” His focus on this task becomes obsessive and drags him all over the solar system, where he eventually crosses paths with James Holden. Holden is the book's other focal character, who's in a relatively dead-end job as the executive officer on an ice-running ship when a nearby distress beacon turns his life, along with the lives of a few crew members, upside down. The story starts small but grows quickly and inexorably from a bit of mystery and intrigue to a potential interplanetary war between Earth, Mars, and the fledgling Outer Planets Alliance. 

The growth of the story showcases a real strength of Corey's—Leviathan Wakes is brilliantly paced. It starts out interesting and manages to maintain its momentum throughout its considerable length. It isn't always shootouts and chases, but it's always drawing the reader forward, whether through direct action, political intrigue, or just fascinating science fiction. As the first book in an ongoing series, this is a good sign, and the success of both The Expanse as a book series and the television show based on it seems a good indication that James S.A. Corey manages to keep that pace up over time. I'm certainly looking forward to reading more. 

Book Review: The Listeners by Jordan Tannahill

By Erica Wiggins

The Listeners.jpg

The Listeners is Jordan Tannahill’s second fiction novel. Tannahill is a new-to-me author, so I did some research before diving in. First off, he’s Canadian; second, he’s young; and third, he is VERY successful. He has made short films and written and produced plays, along with writing nonfiction and fiction books. In fact, this book is being adapted into an opera which is set to premier in 2022. I was excited to dive in. 

 “The thing I struggle to wrap my head around is how did something so small, so innocuous precipitate the complete unraveling of my life. How all of this soul-searching, transcendence and devastation could begin with a low and barely perceptible sound.”

The Listeners tells the story of Claire, who one night hears a humming sound which no one else seems to be able to hear. She checks around the house to try to find the source but has no luck. As time goes on and the hum continues, her daily life is impacted. Her family thinks she is crazy and she is unable to work. After a hiatus from her job, Claire realizes she must pretend that she no longer hears the hum and heads back to work. There she makes a connection with one of her students, Kyle, who also hears the hum. They work together to find the source of the hum and it leads them to a group of people who hear the hum. In an almost cult-like fashion this group comes together to meet and discuss the hum. While some just want the hum to stop, others are fascinated and believe that they are the elite, that the hum can bring them to a euphoric state. These believers work to convince the group that the hum makes them special.  

I enjoyed that the story was written from the perspective of Claire as a sort of record of what happened to her and her involvement in this group. I quickly became invested in Claire—the decisions she made, the way she interacted with her family, and the impact that this event had on her life. I found myself thinking about what I would do in this situation and how easy it can be to fall into a group of people who you feel are going through the same thing regardless of how that group looks. It also made me question what was happening. As we are only getting Claire’s perspective, how accurate is her view of the story? Is she being honest in her retelling? 

I went into this story knowing that it was being developed into an opera and wondered how it would translate. In a way, I believe this helped me to visualize the story. Tannahill wove a story that revolves around sound in a beautiful and haunting way. I could see how this would play out on stage, especially when the group begins to meet. While I did enjoy the story, it felt like it wasn’t complete. Perhaps this was intentional, and I would be interested to see it play out on stage. It feels like a story that you need to experience rather than read. 

I would recommend this book to those who are able immerse themselves in the world of the story they are reading and visualize the events. 

Thank you to HarperCollins Canada for the complimentary copy in exchange for an honest review!

Book Review: The Quiet is Loud by Samantha Garner

By Megan Amato

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Samantha Garner’s debut novel The Quiet is Loud is an intriguing, grounded sci-fi that develops through poignant moments in the past, dream sequences, and present first-person narrative to unveil a story that transcends the pages and takes you on a tour across Canada as you play connect-the-dots with the protagonist’s life.  

After ten-year-old Freya Tanangco’s dream of her mother’s death comes true, she discovers that she is one of the rare people with extra mental abilities. Blaming herself for her mother’s death, she keeps her secret to herself, especially from her prejudiced father. As an adult, Freya works hard to keep her head down in a world cruel to those like her, but when her visions start to bleed into her waking life, she is forced to seek help from a “paradextrous” support group. Just as she starts to find her footing with her abilities, her trust in the wrong person threatens to expose her ability to the world—and to her notorious father, whose refusal to consider the feelings of a family member has already torn a hole in their family. 

This story is subtle. When I first started reading, I thought it would be one of those books that I would stop and start as I worked my way through the plot, but I should have had more faith in the author. Rather deftly, Garner layers and weaves details throughout the book that draw you in through the moments of the past that shaped Freya’s fear, to the present, where she must overcome that fear to save someone she loves and free herself from the threat of discovery looming over her.

It was hard not to empathize with Freya as she grew, learned lessons about the people in her life and the world, and withdrew from a society she feared and that feared her in return. She is supported by endearing characters, including a cousin who may not understand her but will do anything to support her; a brainy support group leader who would make those even with eidetic memories jealous; and an inherently kind paradextrous man who proves that different genders can be friends and remarkable ones at that. However, my favourite character was Freya’s fastidious aunt, who has purposely pushed those she loved away due to her own trauma but steps up when people need her the most.

The only character who I thought was slightly underdeveloped was the antagonist. I felt like their relationship with the protagonist developed too quickly and deteriorated just as fast. However, part of me wonders if this was done purposely to show how those with charisma and self-righteousness draw bees like honey but can be just as quick to use that power to destroy real people’s lives for the “greater good.”

I believe that every story teaches you something, be it a recipe for a dessert or a valued life lesson from an elder. In The Quiet is Loud, I learned more about tarot readings and how they can be deciphered, about Norse and Filipino mythology, and that people who try to change the world without consulting those they’re trying to help can do more harm than good. However, the main message is clear: our stories are ours to tell, and how they are told can be more important than the telling itself. 

You can pick up a copy of Samantha Garner’s The Quiet is Loud from Canadian indie publisher Invisible Publishing. It’s definitely worth the read.

Book Review: The Girl With All the Gifts by M.R. Carey

By Dahl Botterill

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Years ago, the first time I saw The Girl With All the Gifts sitting on a shelf, I noted Carey's name on the cover and thought it seemed interesting that there was another Carey out there writing. That it should be the same writer that I knew from the pages of Hellblazer and Lucifer didn't occur to me at all. Maybe I'd have read it much sooner had I known. Regardless, I'm certainly glad to have done so now.

The Girl With All the Gifts opens slowly and carefully, first introducing a young girl named Melanie and her teacher Miss Justineau. Melanie's entire life consists of a cell, a corridor, a classroom, and a shower room that she sees once a week. She lives alone in the cell, attends classes with other children in the classroom, and uses the corridor to travel between the two, strapped into a wheelchair and under armed guard. Melanie has a few teachers, but only Miss Justineau matters to her. Miss Justineau is kind, thoughtful, and—though Melanie perhaps doesn't initially realize this for what it is—sometimes sees the children as children. This is notable because, as we soon learn, the children are not merely children, but an anomalous type of monster that can think and feel when they're not desperately trying to eat people, and Melanie's world is a bunker in a military base, one of the few remaining strongholds of civilization in a world overrun by zombies.

Things soon fall apart, as things so often do in these stories, and Carey focuses for much of the story on a few individuals. The plot is not complicated, but that isn't really a problem, as the driving force behind The Girl With All the Gifts is in the characters. Melanie and her companions are pretty archetypal at first, but as they are each forced to compromise and develop during their journey, they grow into more realized individuals.

Miss Justineau never ceases to be a teacher, Caldwell will always be an obsessed scientist, and the soldiers are still soldiers, but as they explore the world that humanity has lost control over, they each become much more than their role. 

Melanie develops the most, of course, as she's experiencing almost every aspect of the world for the first time, but some of the most interesting aspects of her growth relate to her relationship with those around her and the power dynamics between them. She goes from being rendered almost powerless because of the way her potential power is feared, to gaining more autonomy, but also a different sort of power—more about what she is capable of as a person than her potential for violence as a monster.

M. R. Carey's The Girl With All the Gifts is a great read, slipping from horrifying to human and back again, reveling in the struggle to find hope at the end of the world.

Book Review: Generation A by Douglas Coupland

Dahl Botterill

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Douglas Coupland is perhaps best known for his ability to tap into the most immediate and relevant aspects of the interplay between media and technology and capture how that interaction affects people. That ability is certainly on display in Generation A, a novel that wears its literary debts and connections on its sleeve while also attempting to tread some new ground. The story follows five individuals living all over a world without bees when, one by one, they each find themselves on the receiving end of a bee sting.

Governments and international organizations come down like a hammer, of course, and each of the protagonists finds themselves under careful study while deprived of any sort of sensory input or experience. When they are released back into the world, they discover that they've become the most famous people on the planet. Each handles this fame differently, but eventually, their shared experiences draw them all to a remote Canadian archipelago, where together they try to determine what exactly it is that they've all got in common.

There's a distinct narrative shift that occurs partway through Generation A, at which point, a story about five individuals coming together becomes five individuals telling stories collectively. The degree to which it works will probably depend on the reader. Plots and sub-plots begin to morph into one another as they fade into the background, and the characters one has invested in thus far divest their centrality to some degree as their own personal fictions take centre stage. It's interesting, and it works insofar as they're all really telling the same story Coupland has been telling all along—but it probably won't be for everybody.

Generation A is a good book. It's interesting, clever, and Douglas Coupland's writing is as enjoyable to read as ever. The novel is full of fun moments, cutting observations, and plenty of references and retrospections for the casual or committed reader. The author plays with storytelling and narrative in interesting ways and perhaps even generates some effective commentary on the interplay between desire and responsibility. But is it a great book? Probably not. If you're a fan of Douglas Coupland's writing and haven't read Generation A, you'll very likely find lots to enjoy here. If you've never read him before, there are better places to start.

Book Review: The Fifth Head of Cerberus by Gene Wolfe

By Dahl Botterill

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It can be difficult to describe Gene Wolfe’s writing to the unfamiliar. It is clever, well-wrought, literary fiction that drips with countless fascinating ideas. There is a fullness to it that refuses to vacate your thoughts when you think you’ve finished with it. It is very much speculative fiction while also completely unlike what one might expect from such a simple description. As you make your way through a Gene Wolfe work, you’ll usually find yourself reading many stories—each character, each perspective, will carry a gravity of its own—but you’ll also be aware of all the stories you’re not being told directly. Wolfe has a way of making even the stories he’s not sharing utterly enthralling. This talent is on particular display in The Fifth Head of Cerberus, a collection of three increasingly related novellas that never cease playing with their own interconnectedness.

The first of these stories, sharing the collection’s title, introduces the reader to the twin worlds of Saint Anne and Saint Croix while focusing on the latter, and particularly on a science-obsessed young man growing up in his father’s brothel. This young man—while there are clues dropped as to his proper name, he is only ever directly referred to as Number Five—narrates the tale from a future time and place, looking back on his youth. The tale is told in a manner that assumes some common ground with the reader, and so his world is described in bits and pieces as details become pertinent to the tale being told. It starts on what feels like familiar ground, and it is only by putting those details together that one gradually realizes what Saint Croix and its culture look like. By this point, the reader feels a part of it, discovering the culture’s joys and horrors from within instead of having a basic description doled out at the beginning. 

The second story is very different in its structure. “A Story,” by John V. Marsch is perhaps more traditionally told but from an entirely different perspective in a pre-colonized Saint Anne. Its title provides some connection to the previous tale, but it feels more mythological, following the journey of two twins separated at birth and raised in rival communities as fate brings them violently back together just before the arrival of Terran colonizers. The Annese have only been mentioned briefly during the first story, so this new focus seems only tangentially connected (its named author is an anthropologist met by the previous novella’s narrator, Number Five), but it provides some intriguing insight while laying many threads and breadcrumbs that will be picked up later by the reader of V.R.T.

V.R.T. is the final tale Wolfe weaves in this book, and it appears much less organized than its predecessors. Woven achronologically from a multitude of documents and perspectives, and filled with both subtle and dramatic narrative shifts, this is the story that reveals the depth and breadth of the interrelationships found within The Fifth Head of Cerberus and its three novellas. Aspects of earlier stories that seemed inconsequential come into their own when viewed in a new context, and revelations abound. Each of these stories could stand alone if necessary, but the whole is truly greater than the parts themselves. 

The most interesting part of all, and the aspect that strikes me as most particular to Gene Wolfe’s writing, is that even when all three stories have concluded, there is a sense of so much more that may have been missed. The reader is trusted to do the heavy lifting, and so all three tales are filled with tiny clues and subtle misdirection that could be easily missed. Different readers may very well pick up on completely different connections and thus come away with varied impressions and conclusions. The result is a book that stays in your head after you’ve finished it, continues to be considered and picked away at in the back reaches of your mind, wondering what you might have missed your first time around and what you might discover if you approached it again. While it is indeed a few smartly written slices of speculative fiction brimming with strange ideas and concepts, The Fifth Head of Cerberus is also a clever bit of mystery that plays its cards so close you may not realize what you’re unravelling until you’re mulling it over afterwards. 

Book Review: Gutter Child by Jael Richardson

By CB Campbell

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Content warning: violence, racism, suicide

In Gutter Child, Jael Richardson explores complex issues in an easily accessible prose style. She has created a bifurcated society split between haves and have-nots with a (mostly) racial line between the two.  There are elements of apartheid South Africa, the antebellum South and Dickens’ England. Like Atwood’s Gilead, Richardson’s world provides a sense of place that feels unpleasantly possible.

Our narrator, Elimina, has grown up with her adoptive mother on the Mainland with its overwhelmingly white settler population.  The Gutter is a small island, effectively a reservation.  The residents of the Gutter are the Indigenous people of this country, trapped in intergenerational indentured servitude—slavery by economic regulation. 

The novel begins when Elimina’s adoptive mother dies and she is sent to a boarding school for Gutter children.  She quickly discovers that while her life to this point was hard, she has been sheltered from the reality of the Indigenous people on the Mainland and from the Gutter culture she was taken from. Thanks to her imperfect knowledge of this dystopian world, we take the journey with her. 

Richardson explores family, race, gender, colonization and economics.  While there is black and white in this world, there is also grey.  Is the Gutter a prison to escape or a home to protect?  One character says, “I never realized we were trapped in [the Gutter] until I was on the other side,” but it is also a place where Elimina recovers her past and expands her family. The Mainlanders hate and fear Gutter dwellers for reasons clearly driven by racism, but they accept a successful Black settlement on the Mainland.  We discover that Elimina was taken from her family in the Gutter as part of a failed experiment to integrate her into the privileged world of the Mainland. The purpose of the experiment is not clear but the failure appears to have been intentional.

Like the world we live in, bad things happen and some people rise to the challenge while others do not.  The choices characters face are not always pleasant. Friends are made, lost, and only sometimes found again.  This is a book worth reading, because it doesn’t offer easy answers or a fairly tale ending.  Multi-generational bias and hatred are not easy to address and should not get resolved in 368 pages.  

This is Richardson’s first novel, although she has been writing for a number of years.  My first exposure to her work was her 2012 memoir, The Stone Thrower, that explored her life and that of her father Chuck Ealey, a Black man from Ohio who came to Canada to play football in the CFL. Richardson is also the Artistic Director of The Festival of Literary Diversity and a voice we can all look forward to hearing for many years to come.

Book Review: Follow Me To Ground by Sue Rainsford

by Kaylie Seed

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Content Warning: gore

Sue Rainsford’s magical realism debut is unlike anything that you will read this year. Follow Me to Ground is delightfully disturbing, unique, and, well—it is weird in the best way possible. Ada and her father are otherworldly beings living among “Cures” (humans), and they have the gift to cure sickness in humans. While Ada and her father appear to be human, likely to ease the humans they cure, they are far from it; they are beings that have come from the “Ground.” As the story progresses, Ada struggles with continuing with life as it has always been, and with falling in love with Samson, a human.

Rainsford has chosen to not use quotation marks in Follow Me to Ground to indicate when a character is speaking, and even though there aren’t quotation marks, the reader can still differentiate between character voices and hear the uniqueness in each of them. Rainsford has included topics in Follow Me to Ground such as forbidden love, the father-daughter relationship, and coming-of-age. The three of these themes blend as Ada struggles between acting on her calling and what she truly desires.

Rainsford’s prose is simply stunning and captivating; she even manages to take scenes with creepy elements and makes them sound beautiful. Follow Me to Ground is short, to the point, and can easily be read in one sitting. There are some parts of the plot that can make the reader uneasy, however, the reader will want to know what is going to happen next. Rainsford is talented and can conjure up a story that hasn’t been told yet. It will be interesting to see what she comes up with next and because of that, she is an author I’ll be keeping an eye on.

Thank you to Simon & Schuster Canada for the complimentary copy in exchange for an honest review.

Book Review: East of West, The Apocalypse: Year Three by Jonathan Hickman and Nick Dragotta

by Dahl Botterill

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Jonathan Hickan - Writer, Nick Dragotta - Artist, Frank Martin - Colourist

"We would tell you to pray, but it wouldn't do any good. You have earned what is coming to you."

Jonathan Hickman's comic book series East of West began as an alternate history of the United States, opening with a story of seven nations rising from the ashes of a long-extended American Civil War. It quickly expanded, incorporating dystopian science fiction, political intrigue, horror, mysticism, and countless other aspects into a genre-bending epic western of prophecy, inhumanity, and the end of the world. The Apocalypse: Year Three concludes the tale, collecting issues 30 through 45 into a deluxe, oversized hardcover format that really gives the art an opportunity to shine.

Hickman's story has tremendous scope, and Nick Dragotta brings it to life with an ability to transform both the best and worst that humanity has to offer into something beautiful. By this third and final year of the story, the world has already been in the grips of the apocalypse for a couple years, and the various plans and machinations of those in power are either coming to fruition or being dashed to pieces. Death, despite having found his son Babylon, is still trying to save him, and the remaining horsemen are seeking the same in their efforts to usher in the end. The Chosen (those leaders that have been working to fulfill the prophetic claims of the Message) are forced to reckon with what they've wrought upon the world and what price they're obligated to pay. The characters are numerous and are all fully realized, as is the alternate future America they inhabit. Every character, from game-shaping protagonist to small but significant minor role, leaves a mark.

Hickman and Dragotta complement each other brilliantly, and the result is a stunning work of both art and literature. It won't be for everybody; it's often dark, violent, and bleak—it is the apocalypse, after all—but if it appeals to you at all, you'll probably love it. "What is the world but the arena in which we are tested?" Well, the end of that world is here, and each of the Seven Nations of America lives and breathes as a world unto itself, resulting in an America that's just as thoroughly realized as the characters. In a similar way, every genre that East of West incorporates brings something unique to the book, and the resulting graphic novel is an expressive and expansive tale that grabs the reader and doesn't let go until the final panel.